Cleon Peterson
To Sway Minds

Print —

$1,110 CAD

To Sway Minds Silkscreen Print by Cleon Peterson

  • 24" x 18"
  • Silkscreen print
  • Editions of 125
  • Sold framed
  • Signed by artist
  • Come with certificates of authenticity

We ship worldwide with Fedex, DHL Express, Purolator as well as several door-to-door art handling companies (limited to certain cities). Shipping charges vary depending on product size and weight. Many original and glass framed works must be shipped in wood crates, the gallery will contact you upon purchase to send you a shipping invoice. All other works such as prints and small originals are carefully packaged in tubes and boxes. All orders are shipped 48 hours after purchase, Monday to Friday during opening hours. Custom and duty fees are applied to shipments at the discretion of each receiving country. These charges are beyond our control and are the responsibility of the consignee. All sales are final. Please inspect your pieces for any possible damage and contact us within 48h of reception date if you find a problem. Contact us if you have specific shipping questions.

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About Cleon Peterson

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A celebrated painter of the distressing anxiety and sinister violence in contemporary society, Peterson’s bold black, white, and arresting bright red palette ominously complements the savage cruelty he portrays. Harkening the ghosts of past evil, Peterson’s works recall the horror in Goya’s ‘The Third of May 1808’.

The resulting paintings are brutal in their depictions of violence which also bring contemporary atrocities to mind. Peterson’s malevolent graphically rendered tableaux are striking and vivid representations in which baleful authoritarian not quite human figures wield weapons, namely nightsticks and guns—paintings of savage, merciless scenes in which powerful men suppress the subjugated through bloodthirsty physical violence. This series acts as a warning against and a timely critique of nationalism, populist fervor, economic disparityand autocratic consolidation of power in today’s world.
Peterson describes the anarchic chaos depicted in his work as ‘a gray world where lawbreakers and law enforcers are one in the same; a world where ethics have been abandoned in favor of personal entitlement’ forcing us to question what we know what we see and what side are we on? With his skillful, strange, and unforgettable large figurative tableaux, Peterson forcefully translates the consciousness of carnage and chaos, issuing a powerful indictment against universal violence, past and present. His nightmarish vignettes demand examination; in his works, violence is a nightmare from which we have not awakened.

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